Alesis Fusion 8HD 88-Note Keyboard Workstation Review

Average Reviews:

(More customer reviews)I personally like the keyboard action a lot though it may be light for some people...its not as spongy-light as a Korg Karma but its not as heavily weighted as a Kurzweil SP76. Velocity, release velocity and mono aftertouch are standard.
Some people have been asking how I like the Fusion's Piano and, more specifically, how it stacks up against the Korg and Yamaha offerings...
Well, It kind of depends on what you like personally.
Let me explain; the Piano on my Motif Rack was a brittle piece of crap to my ears. The piano on the Fusion is a lot more realistic. Personal taste varies on piano sounds quite a bit though - I've got an old Baldwin Acrosonic Spinet in the studio that I love!
I needed at least one "workstation" type keybord with realistic instrument sounds like piano, clav and strings in my studio. I started with a Korg Karma but its sounds were overhyped plus it had the absolute worst keyboard I have ever felt. Later I traded it out for a Yamaha Motif rack - besides its too-bright sound it had awful MIDI timing slop...I sold it to help fund the Fusion.
Through my ADAM monitors, the Fusion has a nicely flat, unhyped sound. In my opinion, the Fusion's patches sit in a mix a little nicer than Korg and Yamaha - I didn't have to compress and EQ them to get them to "play nice".
I'm playing the Fusion along with a Serge Modular, Nord Modular, Yamaha VL-1, E-mu Planet Earth, Waldorf MicrowaveXT and a DSI Polyevolver Keyboard and I tell you, the Fusion can certainly hold its own, even with a disparate bunch of "weird guys". LOL! It really has a unique voice of its own thats different enough to be a very welcome addition :)
The unique sound engines in the Fusion are just a blast to program and I love their sound...that's where I think it really shines, though Its obviously no slouch as a sampler either - now I can finally trash my old S2000.
It seems fairly solid. I'm not planning on gigging with it - if I was, I would certainly buy a decent case, but I would do that for any synth I planned on transporting ;) I haven't had any lockups or software crashes yet...I've been digging pretty hard and deep into the beast since I got it and it seems very reliable so far. This is a much more mature OS version though...If you're looking into a Fusion, make sure the most recent OS is loaded - some of the earlier ones were very buggy.

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Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs) Review

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(More customer reviews)This is an excellent liitle set of matched mics.The kit comes with all the extra's to make using them a snap.I have already recorded with them and the sound quality is fantastic.Zero feedback from these little gems makes them a pleasure to use.

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Studiologic SL-990 PRO 88-Key MIDI Controller Review

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(More customer reviews)The Studiologic SL-990 Pro (NOT THE XP, which I also had for about 2 DAYS...exchanged it back for the Pro) is the best controller I've ever used, hands down. All I needed was a great feeling controller to compose with. The SL-990 Pro is the best feeling controller on the market right now for under 1000. Get it.

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ART USB DUAL PRE PS 2-Channel Preamp with USB Review

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(More customer reviews)I own the Shure X2U XLR to USB adapter and have used the ART USB Dual Pre 2 Channel Preamp. My preference is for the ART. A review was written, prior to this one, critical of the ART because of the placement of a battery for field recording. This is probably a valid criticism, if your purchase of the ART is for field recording; not plugging into the USB port of a laptop or desktop computer. My evaluation is solely on its ability to quietly drive a professional lo-z microphone into a computer for digital voice recording. And for that, for $99.00 + shipping, you can't beat it. I'm an analog guy by nature and training; working in the broadcast media since 1963 and a licensed broadcast engineer. I've done thousands of voice overs and narrations during the past 4+ decades. I love reel to reel audio tape and simple analog recording, but that's history and I had to acquire gear that would allow me to still think analog, while performing digitally. This ART does the trick, but, for me, it's set up as a preamp into a 2009 model desktop.
Regarding the criticism of battery placement. If that is a problem for field recording, I'd attach an extender to the 9 volt battery connection and attach a battery compartment at the top of the ART.

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iLife '11 Review

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(More customer reviews)I'm not sure how to review this: some people could potentially be buying this to upgrade a very old version of iLife. If I review this as a standalone piece of software, it's fantastic and quite a value. For less than $50 you get a world class digital music studio, one of the best photo organizing programs, and a remarkably capable video editing package. (Oh, and passable web editing and DVD authoring programs, but nobody cares much about those, least of all Apple.) Easily five stars.
However, if I judge this as an upgrade from iLife '09, it's extremely weak. Here's what you get of any substance: the ability to better edit audio in iMovie, slightly better full screen modes in iPhoto, really impressive time warping facilities in Garage Band to fix timing, and some very nice guitar and piano lessons which actually show you where you making mistakes. All great features, to be sure. But are these worth $50 if you have '09? Probably not.
The frustrating thing is that the most major feature in this upgrade is just plain silly: they added the ability to make cutesy little fake "trailers" in iMovie. This is apparently their big innovation. You can now replace your boring home movies with one of eight or so two minute jokes that I guarantee you will get old very quickly. Very quickly. They also added a fake news program theme, and a fake sports theme. All very gaudy and over-the-top, even for iMovie standards. And not at all useful beyond just playing with them once.
It's pretty clear that Apple's focus has shifted away from Mac OS X and iLife and on to the greener pastures of iOS: the iPad and iPhone. In fact, from now on we'll likely see features come first to their consumer devices, and then later to their desktop computers. I'm afraid the days of getting truly major updates to iLife every two years is a thing of the past.
So, as an upgrade from '09, I give this one or two stars at best. If you're upgrading from '09, I hope I've saved you some money. Otherwise, this is a great software package, easily five stars, just not much of an improvement from what you could get two years ago. As such, I'll split the difference and give the package three stars.

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iLife '11 helps you do more with photos, movies, and music than you ever thought possible. In iPhoto, you can browse, edit, and share your photos in stunning new full-screen views. Create epic Hollywood-style movie trailers from your home video in iMovie. And GarageBand gives you everything you need to make a great-sounding song—including tools for keeping your song in perfect rhythm and guitar and piano lessons.


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Yamaha PA130 AC Adapter Power Supply Review

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(More customer reviews)I have a PSR-195 that had a busted adapter that was no longer available on the Yamaha website. I read that this adapter would be compatible for that older adapter, ordered it on a whim, and was happy to find that not only did it work perfectly--it also was smaller than the older plug and used up less energy. :3 Can't beat that. Still, I reinforced the head of the plug with duct tape to reduce any chances of stripping--which was the reason I had to throw out the last adapter. I'm glad I bought this--it saved me from losing my trusted keyboard!

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Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard Review

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(More customer reviews)I just purchased the Novation 25 SL used for $130 on Ebay.
I must say it is a great value for the money.
When you use this little keyboard with Novation's Automap software, you can control most DAWs (such as Ableton and even Protools) in a primitive way, not like a full-blown surface controller, but you can use this keyboard to do things such as stopping and starting the transport, etc.
Another great feature is the touchpad, which is great when controlling VST's filter resonances and frequencies at once. You can also control most VSTs synths with Automap, using the various knobs, faders and buttons on the Remote 25 SL.
You can even use this keyboard as a stand-alone MIDI controller, without a computer, and without Automap.
The only drawbacks i can find with this unit are:
1-The LCDs are hard to read when the keyboard is sitting flat. I wish they would have angled the LCDs towards the user.
2-I was laughing when i read about the "Superb 25-key, semi-weighted, high-quality keyboard with velocity- and aftertouch-sensitivity"
I think this has to be some kind of marketing joke, because the keyboard on my Remote 25 SL certainly does NOT feel "superb" "Semi-weighted" or "high quality". It feels light, plasticky and very cheap, like something you can expect to play on a $20 casio synth. As a matter of fact, i opened the unit and the keyboard is not really semi-weighted but uses spring resistance.
But, hey, i didn't expect much for $130.
Anyway, i recommend this nice little keyboard, which is very useful in the studio, but when getting a used one, do not pay more than $150.
btw, this keyboard's successor, the Novation 25 SL mk. II is literally identical: same layout, same plastic shell, same cheap spring loaded keyboard, same buttons, knobs and faders, except the buttons and knobs light up, that is it.
The only difference between both units is are the main cpu board and the board that contains the knobs and buttons. The rest is identical.
The Novation 25 SL mk. II's lit knobs and faders will probably come in handy if you are playing live in a dark club, but i really don't see how this plastic keyboard can stand live playing and touring abuse without getting destroyed.
Not worth $300 in my opinion, specially when you can get a used, real weighted controller for a lot less.

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