Showing posts with label recording. Show all posts
Showing posts with label recording. Show all posts

6/02/2012

Yamaha QY100 Music Sequencer Review

Yamaha QY100 Music Sequencer
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This is the best drum machine out there, because it's the only one I could find that allows you to substitute any yamaha keyboard sound for a drum. In other words, instead of the limit sounds you get from other drum machines (snares, kicks, symbols, and maybe bass), you get EVERY sound with this thing. So what you can do with this thing is take, for example, the kick on any preset drum loop this thing has, and replace that kick with a trumpet or guitar or strings. And obviously with such an awesome feature like that, it would be important to be able to set the "key" for those other instruments, which this thing does better than any other with its built-in miniature keyboard (look at the photos to see, it has a two octave keyboard of white and block keys) which you can use to "record" the key changes of your sequence. So you take, for example, a preset sequence/loop and you hit "record" and you begin to play along with the keys, and it records that as a song. You can then play back that song in any tempo, and it's like you got a whole band accompanying you. And more than this, this thing has a full-feature synth so you can edit every sound, make it dull, make it echo, add any effect, adjust the equalization of any sound, resonance, cut-off certain frequencies, etc. The only thing I wish this thing would do is light-up better in the dark. It can be hard to see in the dark. I had to use a book-reading light to see it in some live settings.

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5/29/2012

Cakewalk Studio Instruments Review

Cakewalk Studio Instruments
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Cakewalk Studio Instruments are a great foundational set of instruments to add to a persons home digital recording studio. Drums,Bass,Keys,Strings. The salt N pepper that most music requires at a great price and easy function.
I am a confessed Gear-a-holic. I love to find things like the studio instruments kit that don't cost an arm n leg, but that will "Broaden" your color pallet of sound. It's a tool that is fun to use, visually easy to understand and the sound is pleasing. What more could you ask for?


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Can't play bass drums piano or violin? No problem! Just point and click and you are making music. It's that easy!Introducing Cakewalk Studio Instruments the world's first easy-to-use and affordable software instrument collection for Mac and PC. Cakewalk Studio Instruments includes a high quality Drum Kit Bass Guitar Electric Piano and String Section that can be played stand alone or inside your favorite music-making software such as Cakewalk Music Creator Apple GarageBand Magix Music Maker Deluxe SONY ACID Music Studio and more (see list below for complete list of compatible products).Cakewalk Studio Instruments include pre-recorded patterns played by ace session musicians so you can build sections for your songs practice or just have fun jamming along.And Studio Instruments sound great because they're from Cakewalk makers of the most popular music creation software in the world used daily by Grammy® winning musicians and producers. Start making music today with Cakewalk Studio Instruments!Format: WIN XPVISTA/MAC 10.4 OR LATERUB Genre:PRODUCTIVITY UPC:787537171044 Manufacturer No:10-CWSI1.00-10C

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5/28/2012

Korg M50 61 Key Synthesizer Workstation Review

Korg M50 61 Key Synthesizer Workstation
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I really cannot offer any insight as to the positives and negatives on this keyboard. When you have this level of control and power at your hands then frankly only the musician can decide if the product is worth adding to their music set up. But I do feel the best way of showing a product like this is to just overview it and let you, the musicians, decide.
So rather than explain how amazing I think this keyboard is (and it is!) I have produced the quick video above. This is by far the best keyboard I own and I'll let the video demonstrate why. Ultimately every sound you hear was created completely live as shown, and that's despite the whole thing being recorded by the on-board mic of a cheap camera. So if you're after an amazing keyboard far surpassing your wildest desires then this is it.
Sometimes when viewing a user video showcasing a MIDI music product it's hard to make a judgment call as to whether the individual instrument is suitable for your needs when there's a lot of other equipment connected to it - all outputting great sounds at the same time. The attached video is pure M50, so please take a listen and see what you think.
Some things that I forgot or didn't have time to cover in video:
The sequencer can be played live or step by step, so if you're feeling a little rusty you can manually key in each note as you wish and change them easily.
The M50 accepted the entire pedal data from my Casio PX500L (which I also purchased on Amazon) which is shown underneath the Korg M50. That was without need for any MIDI changes or complications - it was MIDI plug-and-play as expected in this day and age of agreed midi channels. But I didn't use the pedals in the video deliberately so the recording would be pure M50, but they do work and can sustain/damper the Korg etc with ease through the Casio.
The MIDI triggers buttons, which I show on the modulation/pitch bend/joystick area can be set to ANYTHING - any MIDI trigger that you need and you can even trigger THEM with a foot switch pedal.
The song sequencer is totally editable. This may sound like a silly thing to say but it's worth stressing as it can act more like a song accompaniment than a mere playback of what you just performed. It's a recording of MIDI data of your performance and given the massive polyphonic nature of the M50 you could use the sequencer just to trigger events such as drum riffs or instrument changes and THEN play over it live. Or record multiple passes. It's not just a digital 8 track tape deck for your jamming tracks of old.
The COMBI MODE has lots of stunning string and voice combination patches. I didn't do them justice!
The M50 is much bigger than it looks in this video - in tandem with the wide angle lens on my camera, and my fairly giant-sized meat hooks, the keyboard looks quite small. It's not!
Finally there are no speakers the M50. You need an amp and speakers. I do welcome any questions in the comments section of this review and I'll do my best to answer them. Finally sorry the video cuts off so quickly - the amazon 10 minute time limit cut in quick and I was enjoying myself!

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5/04/2012

Korg X50 61-Key Synthesizer Review

Korg X50 61-Key Synthesizer
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I've owned the x50 for a couple of years now and use it in my home studio. First of all is sound quality. The top of the line Korg series is the Triton keyboards, which cost thousands of dollars (depending on the model). This keyboard uses the same engine, so the sounds are quite similar to the top of the line model. In other words, incredible sounds.
So why is it less than a thousand bucks? First of all, it's not as customizable. Make no mistake, you can still tweak every sound, but it's not as easy or as in depth as the Triton series.
Second are the physical stats: 61 VELOCITY SENSITIVE, but NOT weighted keys. This means that you can still play with dynamic control, but there isn't the feedback one might be used to from a piano. The keyboard itself is very well constructed but mainly plastic. It will surprise you in it's lack of heft, but don't confuse that with cheapness. It's solid.
So why use this? The voices are amazing. I use it in my home studio to backup my guitar. For one song I wrote in a flute solo and then brought in a flautist to learn the song so she could play with me live. She commented on how good the flautist was who recorded for me. She didn't even know it was a keyboard.
The strings, piano and organ sections are particularly strong.
It's great for my studio since I'm not a pianist. It's exceedingly portable so it would be great for gigs too. It's really a great deal since you get thousands of dollars worth of voices for less than a thousand.

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4/10/2012

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows Review

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows
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I looked at virtually every multiple mic interface on the market and couldn't find anything to touch this in features and/or price... so I bought it.
Wow!This thing rocks! I connected up 8 microphones for Kick, Snare, Hi-hat, Tom 1, Tom 2, Tom 3, Left Overhead and Right Overhead... all those mics plug into the 8 XLR mic sockets at the front of the unit. Got some really great 20ft XLR mic cables from Amazon for only $6.95 each (Whirlwind LowZ Microphone Cable (20 Foot) I then plugged in my bass guitar into one of 2 switchable line/guitar 1/4" mono inputs on the front.
Each of the 10 front panel inputs has a volume control knob and red/green led. The drummer hits each drum individually one by one so I can adjust each vol control so that it just occasionally clips red but mostly stays green.
After adjusting the six individual drum mics I now get the drummer to play the whole set and I adjust the left and right overheads mics so they don't clip (go red). That's it! The mics are setup ready to record.
I took the main output from the back of the unit to my monitors and there's a volume control on the front of the unit to allow you to turn down the monitor while recording... then you turn it up to listen back... so in effect, the unit has it's own monitoring control.
Two headphone jacks would've been nice, but I used a Y-adapter 1/4" Headphone Splitter to split the output allowing me to plug in the two headphones for me and the drummer.
I now setup recording on my laptop (HP TX2500z) using the supplied Cubase LE4 software which is really easy to use - buy yourself the The Complete Idiot's Guide to Recording with Cubase. There's no specific book for version LE4 but this idiot's guide worked great for me.
A note about my notebook - It's a tablet PC laptop HP Pavilion tx2500z 12.1" TOUCH-SCREEN Notebook with a great touch screen - so you can arm/disarm or mute/unmute your record channels/tracks just by touching the screen buttons with your finger - it's just like a real mixing desk with real tactile switches - it's really cool!
You may need to tweak your laptop for audio recording to get the best results otherwise you will hear artifacts (odd noises) when recording if the laptop is struggling to find the necessary processing power. I tweaked my laptop and it was just amazing to see the difference in performance. You can Google "Tweak Vista for audio recording" to find the information on how to tweak.
I also replaced my 5400rpm drive with a 7200rpm drive Seagate 500 GB 7200RPM 2.5" Drive - it's real easy to do... Google "Upgrading laptop hard drive". As well as getting a faster speed drive I also made it a 500GB to replace the 320GB drive that I had - so lot's more space... and very low cost too!
RESULTS!!!!!!!!!!!
Well... Let me tell you, I was absolutely BLOWN AWAY by the results obtained with this unit! The Tascam 1641 is an amazing piece of gear and Amazon's price is just out of this World at only $299...
It's like having a whole recording studio in a box - the mic pre's, the mixing desk (vol controls), the signal LED's, the monoring vol control, headphone controls, etc... AND the software - all for $299 - You can't beat that!
The actual sound that I got was totally professional - I couldn't have done better if I was in a top-notch recording studio. I am 100,000% satisfied!
GO FOR IT!!! HIGHLY RECOMMENDED!!!!!!!



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3/21/2012

Roland JUNO-G 61 Key Workstation Music Keyboard Review

Roland JUNO-G 61 Key Workstation Music Keyboard
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I promise you will not be sorry purchasing this sampling / workstation. Roland once again delivers precision and quality in this keyboard. It gives you complete control over sampling editing and allows you to create an extensive library of sampled and new sounds. Along with its 16 track workstation you get 4 audio sampling tracks that samples 16 bit and 24 bit sounds/instruments. I've owned Roland for years and I'm not a representative for their company. If you study the price of other keyboards, you will learn that others do not offer this much for this price. Treat yourself and your talent and buy this keyboard. Your studio will thank you!

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3/07/2012

Behringer C-1 Studio Condenser Microphone Review

Behringer C-1 Studio Condenser Microphone
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This thing is killer; throw in a pop filter and some sort of stand and you have an amazingly pro setup for not much. If like me you have tried using a different type of mic (like a standard dynamic mic) to record normal accoustic sounds like voice or non-amplified instruments, this thing will be way, way better. I can't compare directly to other condenser mics but do not perceive any fundamental drawbacks with this one, which is amazing given the price.

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The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy. This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

What is a Condenser Mic? Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped BEHRINGER XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.
Why the C-1? The C-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its cardioid (heart-shaped) pattern, the C-1 microphone picks up your source signal while rejecting off-axis sounds that can ruin an otherwise perfect recording. With its pressure-gradient, shock-mounted transducer and gold-plated XLR output, the C-1 is very neutral sounding and truly delivers on the promise of noise-free transmission.
With its exceptionally flat frequency response and ultra-high sound resolution, it's perfect for perfect for acoustic instruments, overhead, piano, and plenty more.
Built to Last The C-1 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. We also included a swivel stand mount so it can be affixed to your studio's mic stands.
C-1 Specs
Transducer Type: Condenser, 16 mm
Polar Pattern: Cardioid
Connection: Gold-plated balanced XLR connector
Open Circuit Sensitivity: -33 +/- 2 dBV (0 dBV = 1 V/Pa)
Frequency Response: 40 Hz - 20 kHz
Max. SPL (1% THD @ 1 kHz): 136 dB
Nominal Impedance: 100 ohms
Load Impedance: >1 kohms
Supply Voltage: +36 - 52 V
Supply Current: 2.5 mA
Dimensions: Shaft: 54 mm, length: 169 mm
Weight: Approximately 0.45 kg

What's in the Box Behringer C-1 Studio Condenser Microphone, Carrying Case, User's Manual

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2/06/2012

Behringer MS16 Powered Studio Desktop Monitors Review

Behringer MS16 Powered Studio Desktop Monitors
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SUBJECTIVE REVIEW: Behringer MS16 2-Way Active Personal Monitor System
Pros:
- Accuracy, soundstage & imaging!!
- Connectivity & Front Panel Controls (Right CH Speaker):
.... INPUT 1 (1/8" TRS) Connector
.... INPUT 2 (RCA Right & Left) Connectors
.... ADJUSTABLE 1/4" TRS Microphone Input - mixable w/stereo inputs for playback and vocal monitoring applications
.... 1/8" TRS HEADPHONE Connector w/auto-mute loudspeaker function.
.... FRONT PANEL Controls (Bass, Treble & Level)
Cons:
None except deep bass - which can be resolved by adding a powered-sub like I did!!! ;-)
NOTE: All subjective comments based on:
1) SPEAKER LOCATIONS:
.... a) Free-standing near-field monitor location, 4' apart, slightly tilted-in (closes walls 10') - Music by my Polaroid 30 GB MP3 player (NO powered-sub )
.... b) Keyboard: L & R location installation, slightly tilted-in (with & without Altec Lansing FX2021 powered-sub**)
**NOTE: Adding a powered-sub relieves the Behringer MS16 4" woofer speakers of reproducing the lower frequencies thus lowering the possibility of distortion or breakup when played louder, - 85 dBc to 90 dBc Fast SPL Peaks!
2) Critical listening SPL = approx. 85 dBc to 90 dBc Fast SPL Peaks measured @ 8' to 10' away from the speakers.
.... a) Radio Shack SPL Analog Meter: Dial = 80 or 90 / Weight = C / Speed = Fast
ACCURACY:
One of the Behringer MS16 hallmarks is the accuracy in reproducing encoded musical sounds from my MP3s, ... like, a violin sounds like a violin, a trumpet sounds like a trumpet, a tenor sax sounds like a tenor sax, a Grand Piano, like the Grand Piano that Diana Krall uses in her "Live in Paris" CD (I use to own a 6' Yamaha Grand in my HT/family room), etc. What is unusual for this price range, is the MS16 ability to reveal subtleties and the resolution of the high frequency characteristics within the encoded music/instruments, . . . they are just more evident with the Behringer MS16 vs. other speakers in this price and some costing more; i.e. with close mike recording of an acoustic guitar, you can hear the artist fingers (George Benson; Earl Klugh; Russ Freeman) sliding up and down the frets; you can tell that that two violins are playing a melodic line, rather than just one violin; the air harmonics off the crash or ride cymbal sounds, just like our Tama Rock Set w/Zildjian cymbals; Diana Krall breathing during some of her songs Intro ("Live in Paris" Music CD). Here - I do chalk up the sound quality to Behringer MS16 1.5" (38mm) Diameter High-Resolution Tweeter., which is a nice size for a small personal Studio near-field Monitors.
SOUNDSTAGE:
The left to right placements of instruments & voices are excellent, providing a precise, very wide, beyond the speakers soundstage. The Behringer MS16 front to back (depth) soundstage is also excellent, as well as the dynamic's resolution (soft vs. loud) in playing back the encoded instrument sounds which helps provide excellent location placement of the instruments. Though the front to back soundstage can be a result of how close the microphones were to the instruments, no doubt, the quality of the best recordings, will be revealed by this speaker and the opposite is also true, poor recordings will be revealed as poor. The Behringer MS16 plays back all my Jazz CD Music with relative smoothness, with no surprising in-between the eyes, unnatural frequency peaks because of it's super flat & wide Pro Monitor like frequency characteristics. I also own the JBL N24 w/4" woofers (JBL NSP1 PKG) which was raved by Brent Butterworth for its super midrange playback (voices) and in direct comparison, the Behringer MS16 is equal to task providing the same balanced, natural, clear unstrained playback! (Samples: "Francis Albert Sinatra & Antonio Carlos Jobim" 1967 Digital remastered DDD Music CD; Diana Krall "Love Scenes" & "The Look of Love" Music CD; Bob James "Fourplay" Music CD; David Benoit "Fuzzy Logic" Music CD [Album Of The Year - 2003 National Smooth Jazz Awards], etc.).
IMAGING:
Another characteristic that the Behringer MS16 displays is its ability to image the specific instruments across the soundstage, with a floating in front, side, quality sound presence comparable to some JBL PRO Studio Monitors, though its point source is more precise due to the smaller cabinet side. The Behringer MS16 low-diffraction front cabinet geometry feature curved cabinet edges to eliminate diffraction, which ensures precise imaging and localization. I love the Behringer MS16 ambience reproduction in my room, because it gave me the feeling that "you are there" and if the recording is from a live concert, the ambience provided the right amount of reflections to make you think your listening to the performance outdoors, or in the symphony hall. ("The Corrs - Live at the Royal Albert Hall" Music CD; Diana Krall "Live in Paris" Music CD).
BASS FREQUECY:
WITHOUT POWERED-SUB: (Bass adjusted slightly less than MAX @ the 5 o'clock position / Treble left flat)
The Behringer MS16 bass is rated down to 80 Hz, and after adjusting the Bass Control to near MAX (5 o'clock position), ... it easily matches my JBL 24s (Benchmarked down to 89 Hz -2.7 dB - Fronts location by Tom Nousaine for Sound & Vision Magazine) lowest rated frequency reproduction in my familiar jazz music (David Benoit, Bob James, Joe Sample, Diana Krall, etc.) MP3 encoded music is not as demanding as a keyboard or CD (pure digital recordings), so what I hear was more than acceptable @ 85 dBc Fast SPL Peaks! (louder than normal listening). The deep bass is lacking of course, which is expected for a 4" DIA woofer, but it wasn't MIA and actually sounded better than most free-standing speakers w/4" or 5" woofers. The upright bass (Diana Krall) and electric bass lines (Bob James "Fourplay" w/Nathan East on bass) reproduction was way above average and overall, ... it nicely filled my 20 x 30' room with well balanced, clean & smooth frequency jazz music.
WITH POWERED-SUB - YAMAHA PORTABLE GRAND KEYBOARD:
Reproducing a digital keyboard is demanding so to get that floor & air feeling bass SPL without distortion or breakup, I coupled the Behringer MS16 Speakers w/the Altec Lansing FX1021 2.1 Speaker System, or more specifically, Altec Lansing FX4021 Powered Subwoofer (w/Two 5.25" long-throw woofers in isobaric configuration). This unit is rated down to 32 Hz and takes care of the lower frequency duties. Matching the Altec Powered-sub to the MS16s took about 20 mins. using the Keyboard built-in MIDI DEMO files and by playing it personally! I'm finally happy with what I hear from my Yamaha DGX-505 88-key Portable Grand.
THE BOTTOM LINE:
If you want "budget" monitors that provides excellent imaging, revealing resolution, super flat & wide Pro Monitor like frequency characteristics, the Behringer MS16 is for you! At no time during my critical listening phase (w/85 dBc - 90 dBc Fast SPL Peaks) did I hear any distortion or breakup (with or without powered-sub) from my Behringer MS16 speakers!!!
- Although the following is an OPTION & NOT REQUIRED to ENJOY these powered speakers, you can add a powered-sub to round out the lower frequency foundation and once you balance the SPL between the powered-sub & MS16s, ... you've got a very nice killer setup for MP3, PC, Laptop, Keyboard & near-field Home Studio application @ a very reasonable price!
In my case, I'm guessing, that the Behringer & Altec powered-sub combination for my Yamaha Portable Grand Keyboard frequency response is approx. 40Hz - 18kHz ±5 dB in my 17' x 13' living room (see my attached Amazon photo's) and for the price, ... it just sounds GLORIOUS @ 85 dBc - 90 dBc Fast SPL Peaks!!!
Highly Recommended!!! (Another way to think about it is, ... you can't build a 16 Watt [2x 8 Watts] self-powered speakers like this for under $60 a pair!!!)
Background: Audiophile since 1980; retired Audio/Video dealer; retired semi-pro musician (piano, keyboard, acoustic / electric guitar, bass guitar & drums).

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10/25/2011

Tascam DP-004 Pocketstudio Digital Recorder Review

Tascam DP-004 Pocketstudio Digital Recorder
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As a songwriter who needs something that will allow me quickly to jot down song ideas and fragments, as well as completed songs, this unit is a little cumbersome. In order to create a song, you must do the following:
1. Turn on unit
2. Press "Menu" button
3. Scroll to "Song" menu item
4. Click a function button to select
5. Using the data wheel, scroll down to "Create"
6. Click a function button to select
7. Use data wheel to enter name of song one laborious letter at a time (optional step: you can forgo naming a song and it will be named "Song023" etc.)
8. Click "Home" button
9. Click "Rec" buttons for tracks 1 and 2 (assuming you want to record in stereo).
10. Click the record transport and play transport buttons together, to start the recording process (I'm assuming you have already set the input levels and want to use the built-in mics)
11. Click the stop transport button when you are done recording your song
12. Repeat steps 9-11 if you wish to overdub another voice or instrument on tracks 3 and/or 4.
13. Click "Menu" button, then "Play" to listen to playback
14. Click stop button at end of song
15. Click "In/Out" button
16. Click function key "Out" to set the out point
17. Click "Rec Mode" button
18. Using data wheel, scroll down to "Master Rec"
19. Click function key to select
20. Click the record transport and play transport buttons together, to start the recording process for the "master" track (this is simply a stereo mixdown of the four tracks)
21. Click "Rec Mode" button
22. Using data wheel, scroll up to "Multi Track"
23. Click function key to select
24. Click "Menu" button
25. Scroll using data wheel to "Wave"
26. Click function key to select
27. Scroll down to "Export Master"
28. Click function key to select
29. Use data wheel to enter name of song one letter at a time (optional step: you can forgo naming a song and it will be named "Song023" etc.)
30. Click function key to execute exporting of the master stereo tracks to the FAT partition of the SD card within the unit.
31. Attach unit to your computer via the supplied USB cable
32. Open folder to view the files on the Tascam
33. Click the "Wave" folder to find the master tracks you just created.
34. Go to a file conversion program to convert the ".wav" file to an ".mp3" file, so you can email it to your friends, etc.
Whew! Not exactly a quick, friendly, intuitive process!
What you want is a two-click process to start recording (as on my old mini-disk recorder), and then be able to connect to a computer to copy the file and convert. There are an awful lot of extra steps involved, but of course you are talking about four tracks, not just stereo, so there's just no getting around the necessity of the mix-down/mastering. What is a little odd and annoying are those extra steps to export the master to the FAT partition of the Tascam SD card (steps 27-30, above).
Also, since each song file must be loaded before you can listen to it, there is no way to play songs one after the other unattended, or zip quickly between songs like you can do on an iPod or CD player, to audition which is which (thus naming them is critical).
Anyway, a word to the wise if you want something quick and easy. You pay for the ability to make a multi-track recording. On the other hand, if you want something with great quality recording sound, ample storage (a 16 GB SDHC card gives you 1300 track minutes in the 8 GB partition you can create (the largest possible), very nice and senstive built-in stereo mics,
and something you can use to create an excellent mini-demo, then this will definitely do the trick.
TIP: Purchase a PSP-100 power adaptor. It is made for the Sony Playstation and is identical to the more costly PS-P520 Tascam says you have to buy (i.e., 5V, 2A, correct plug and polarity). I paid $5 for mine, not $30!

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Smaller than a paperback book, the 4-track Tascam DP-004 Pocketstudio digital recorder is simple enough for students, songwriters and musicians who want to keep their recording process simple and creative.

Offering four tracks of CD-quality digital recording, the DP-004 can record two sources at once to the included 1 GB Secure Digital (SD) memory card. A built-in stereo condenser microphone makes it simple to record anywhere you go, perfect for concerts, rehearsals and songwriting inspirations. A pair of 1/4-inch jacks on the rear panel allow you to connect your own microphones or sources--you can even switch the inputs to guitar level for recording.

You can build up your arrangement until you've filled up all four tracks, and the Bounce feature allows you to consolidate tracks and make room for more overdub layers. Once you set levels and pan, record your mix onto a dedicated stereo master track. You're able to transfer your tracks and mixes to a computer over USB for CD burning and sharing online.

Key FeaturesConnections:
Two 1/4-inch unbalanced mic/line inputs
Switchable guitar input
Headphone/Line output
USB 2.0 connector
Recording:
Four-track digital multi-track recording
CD-quality 44.1kHz/16-bit WAV recording
Records to SD Card media (1 GB card included)
Repeat, Record undo
Dedicated stereo mixdown track

Physical:
Powered through AA Batteries or optional PS-P520 power adapter
Battery life: About 8 hours recording, about 8.5 hours playback (alkaline batteries)
Dimensions: 6.1 x 1.3 x 4.2 inches (WxHxD)
Weight: 2.8 ounces


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