Showing posts with label midi controller. Show all posts
Showing posts with label midi controller. Show all posts

5/23/2012

Novation Xio 25 2-Octave Synthesizer and Audio USB MIDI Controller 25-Key Keyboard Review

Novation Xio 25 2-Octave Synthesizer and Audio USB MIDI Controller 25-Key Keyboard
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I purchased the Xio Synth 25 because of its Midi controller capabilities and its onboard sounds. What also made me want to purchase this was the fact that it serves as a microphone interface with phantom power. I know I have not explored the full potential of this synthesizer with its editing features, etc, which is mainly due to me being new to synthesizers. I purchased Cubase Essentials 5, the Behringer UCA202 U-Control Audio Interface and the Behringer C-1 Studio Condenser Microphone to use with the Xio and everything works together great for my needs. The only downside I have personally experienced is that a few knobs have come off. There is one knob I don't remember ever being there and didn't realize it should have been a knob (you can still turn it) and another knob for a pan function came off. Looking at other reviews from other sites, this seems common. Overall, I would recommend it.
Edit 5-7-10:
I want to edit my review to add that my Xio no longer works well when using it as a midi controller. I don't understand why exactly, since the onboard sounds still play and sound well. When using it as a midi controller, I have to press the keys down hard just to trigger the sounds I am trying to play. Shortly after I purchased the Xio, I had purchased an M-Audio 61 Key midi controller, so that is what I primarily use for midi. I still use the Xio as a microphone interface and for its onboard sounds.

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Never before has a Novation synthesizer been so accessible! Stylish, compact, and affordable, the XioSynth offers a staggering amount of classic and cutting edge sounds, many from internationally acclaimed artists, along with a brand new X-Gator patch programmer and optional filter distortion. Furthermore, the XioSynth provides everything required for producing on the move, through its synth, audio interfacing, and MIDI controlling capabilities - all three in one keyboard.Includes Fantastic ‘Xpression' pad and pitch/mod joystick, both freely assignable in MIDI Controlling mode; allow 6 parameters to be tweaked at once!USB bus-powering is available, as well as optional battery (AA)/PSU operation, making the keyboard highly portable.

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4/12/2012

M-Audio Axiom 61 Advanced 61-Key USB MIDI Controller, 2nd Gen Review

M-Audio Axiom 61 Advanced 61-Key USB MIDI Controller, 2nd Gen
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This MIDI controller does pretty much everything you could want.
The display is nice. Directlink with Reason is really cool. Not only do all of the knobs route to Reason devices, but the devices also show up on the LCD on the keyboard itself. You can easily scroll through patches, and other controls such as the playback transport of your host software, directly from the board!
The faders can be setup with your host DAW to control automation, etc. Keys feel pretty good but I wouldn't really consider them "semi weighted", they feel like pretty standard plastic keyboard keys to me... they do support aftertouch messages though. The drum pads are definitely a plus.
It is also fairly lightweight and portable given all of the functionality. It has MIDI in/out ports on it so it also acts as a MIDI interface. It runs without a power supply, on a single USB connection.
Amazon's price is unbeatable on this. 25% lower than I could find anywhere else.
Only other suggestion is, if you don't need quite all of these bells and whistles, save yourself the money and get an Oxygen 61 because it can do all of the basic stuff this one can.

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4/01/2012

Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard Review

Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard
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I just purchased the Novation 25 SL used for $130 on Ebay.
I must say it is a great value for the money.
When you use this little keyboard with Novation's Automap software, you can control most DAWs (such as Ableton and even Protools) in a primitive way, not like a full-blown surface controller, but you can use this keyboard to do things such as stopping and starting the transport, etc.
Another great feature is the touchpad, which is great when controlling VST's filter resonances and frequencies at once. You can also control most VSTs synths with Automap, using the various knobs, faders and buttons on the Remote 25 SL.
You can even use this keyboard as a stand-alone MIDI controller, without a computer, and without Automap.
The only drawbacks i can find with this unit are:
1-The LCDs are hard to read when the keyboard is sitting flat. I wish they would have angled the LCDs towards the user.
2-I was laughing when i read about the "Superb 25-key, semi-weighted, high-quality keyboard with velocity- and aftertouch-sensitivity"
I think this has to be some kind of marketing joke, because the keyboard on my Remote 25 SL certainly does NOT feel "superb" "Semi-weighted" or "high quality". It feels light, plasticky and very cheap, like something you can expect to play on a $20 casio synth. As a matter of fact, i opened the unit and the keyboard is not really semi-weighted but uses spring resistance.
But, hey, i didn't expect much for $130.
Anyway, i recommend this nice little keyboard, which is very useful in the studio, but when getting a used one, do not pay more than $150.
btw, this keyboard's successor, the Novation 25 SL mk. II is literally identical: same layout, same plastic shell, same cheap spring loaded keyboard, same buttons, knobs and faders, except the buttons and knobs light up, that is it.
The only difference between both units is are the main cpu board and the board that contains the knobs and buttons. The rest is identical.
The Novation 25 SL mk. II's lit knobs and faders will probably come in handy if you are playing live in a dark club, but i really don't see how this plastic keyboard can stand live playing and touring abuse without getting destroyed.
Not worth $300 in my opinion, specially when you can get a used, real weighted controller for a lot less.

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3/15/2012

M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard Review

M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard
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As somebody who does all of my music recording and editing using software, I was looking for something with the right features for what I do. If you're familiar enough with your software, this keyboard will do the job. However, it has several short-comings.
First, the keys are very "springy". They actually resist depression more than one would expect. Although the keyboard is velocity-sensitive, the "springiness" actually makes it difficult to control the sensitivity. If you've played on better keyboards, or have never played on a velocity-sensitive keyboard, it will require some "re-learning". Also, 49 keys has a disadvantage in that an entire octave is missing as compared to larger keyboards. Having moved from a 61 key to a 49 key keyboard, you realize how important the additional octave is. However, you can shift the pitch an entire octave using the dedicated keys.
This controller lacks a display. Higher-functions (such as changing MIDI channels or programs) are accessed by pressing an advanced button and one of the keyboard's keys. This requires consulting the manual, especially when you need to do something you don't do on a regular basis. On a positive note, you can assign the volume slider and modulation wheel to any controller you choose, which is helpful for controlling pan, portamento, breath, or any other effect. You can also change the functionality of the "octave" keys, so that you can change the selected program(sound) incrementally. This can be extremely confusing at times -- I plan on cutting and pasting sections of the manual directly onto the unit's body for easy reference.
If using USB, the keyboard requires no power supply. There is a small power switch located on the back of the unit, however, which must be turned on in order for the PC to recognize the USB device. I often find myself forgetting to turn it on. The dedicated MIDI out jack is handy for connecting to legacy MIDI equipment, but since no power supply is included, you'll need to find your own universal adapter. However, using USB means I have one less thing to plug into the power strip.
The unit has significant weight, more than I thought it would have. It's definitely a sturdy unit. But this definitely isn't the best of the lot; it will do the job of a "controller" for under $100. Recommended -- "yes" -- but only if you have a little patience and prior knowledge of MIDI, MIDI controllers, and keyboards.

Click Here to see more reviews about: M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard

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3/12/2012

Novation Nocturn 25 USB MIDI Interface Keyboard Controller, 25-Keys, NOCTURN 25 Review

Novation Nocturn 25 USB MIDI Interface Keyboard Controller, 25-Keys, NOCTURN 25
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The general concept of the Novation Nocturn series is that you have a responsive MIDI controller that is less expensive because a lot of the display parts and intelligence are handled through Novation's AutoMap software. AutoMap can be great, but it can also be very frustrating if the mappings for different devices aren't up to date, and Novation has a poor reputation for keeping their mappings current (in particular with Reason).
I originally had an Akai MiniMPK, which worked great, but wanted something a little larger, so I figured that the Nocturn 25 was just the ticket and only a bit more expensive (and still less expensive than the MAudio Axiom Pro 25 or the Akai MPK25).
It showed up, I installed it, and everything seemed fine, until I tried to use the drum pads. The drum pads under Windows were sporadically responsive, sometimes they'd show up, sometimes they wouldn't. I tried calibrating them, and AutoMap never registered them. Hmm. This is on a Mac Pro 2008 running Win 7. On a hunch, I booted into OS X...and they work perfectly.
So it's not a hardware issue, it's software issue, and one with their drivers. According to another user on the Novation forums, he reported this a year ago and support claimed that they were aware of the problem and 'looking into it'. Non-functioning drum pads on Windows would seem to be a fairly significant issue.
Support hasn't responded to me in 3 days, so I'm guessing they're not going to address this, at which point I'll need to return this. Disappointing since I'll have to spend more money.
Overall I give it 2 stars. If you're solely an OS X user and can live with the Automap quirks, it's probably a 4 star product, but if you use Windows, one of its major features may or may not work for you at all.


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2/26/2012

Korg nanoKEY2 Slim-Line USB Keyboard, White Review

Korg nanoKEY2 Slim-Line USB Keyboard, White
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Unable to even test w/o downloading 3rd party s/w with limited time to use. I just wanted basic tones to identify musical key of things I hear. Just a basic driver with organ tones w/b fine.

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2/19/2012

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface Review

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface
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MIDI keyboard controllers in general fall into a gray area between computer controller and musical instrument. Most seem to focus on the integration between device and DAW and fall very short on playability. I am a piano and guitar player and have reasonably good quality equipment in my recording studio. I wanted a keyboard that I could use in a different location, primarily for polishing up previously recorded tracks during the editing process. I settled on this 61 key unit because it has a sufficient number of scales to play a composition but is not so large to make it non-portable.
Here are the things I like about the keyboard:
1. It's light (about 10 lbs), so is easy to move about
2. Because it has limited MIDI controls, it is also thin, allowing it to be placed on a desk easily, then removed. In contrast, most other MIDI keyboards are twice as deep and require a permanent stand or position.
3. With Logic 9, the keyboard is plug and play. Logic recognizes it easily (an additional scan seemed to help the volume level). I haven't spent any time trying to assign controls, but the basic stuff seems to work nicely with Logic.
4. Full size keys. These keys are full size, or very close. They are not as large as the ones on the Roland stage piano I have, and not weighted, but they are large enough so that fingers are not tripping over each other.
Here are the most significant shortcomings of the keyboard.
1. It's light. Not titanium light, but cheap plastic light. This makes it portable but also quite fragile. I have the feeling that it will break. Soon.
2. Build quality. The rotary knobs are actually quite sturdy, but the little black plastic buttons make a loud and cheap clicking noise when depressed, as if I am doing something that they weren't designed for. The red color may be eye catching (or gaudy depending on your perspective), but it's already scratched in a few places even with delicate handling.
3. The keys, though full size, have very little feel or weighting, despite the company's claim that they are semi-weighted. I imagine that there are boards with even less feel, but this one offers next to no resistance to the touch. It's not a problem if you're entering a two finger bass line, but definitely is if you're used to the normal piano weighting of an acoustic or a good stage piano. I also realize that the lack of weighting keeps the unit light and portable, so I can accept this inherent limitiation.
4. Key sensitivity is also weak. There are three settings only-light, medium and heavy, where the keyboard responds with more or less sound. On the heavy setting, I have to literally smash the keys to get much sound, and on the light setting, everything played registers as the same volume. These are not keys that one can modulate at all.
5. As a MIDI controller, it's acceptable, but for someone using a full featured DAW, the eight knobs and a few buttons will be woefully inadequate to control complex parameters. I have a separate MIDI controller, so this is not an issue.
6. There is little documentation with the unit. I had to go online and dig about to locate a pretty sketchy manual on the product. I have not tried the included software, and do not intend to.
For what is available right now, this unit is not bad. It has no sounds of its own, but plays everything that Logic has in its audio library. Just plug in the USB connection and it is ready to go. In order to get a good keybed, such as one made by Fatar or Roland, one has to not only spend significantly more money (probably well worth it) but also has to put up with a footprint that is much bigger. It is this last part that really is the Behringer's strong suit. It's pretty svelte, while the rest of the bunch are enormous. Yet, in the final reckoning, I will not keep this unit. It just doesn't seem to be that well built, and I am not optimistic about it lasting. Moreover, while the size of the keys are nice, the playability leaves a lot to be desired, at least if one is used to real pianos.


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2/17/2012

Akai Pro MPK mini Review

Akai Pro MPK mini
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If you have spent any time reading the reviews of the LPD8 and the LPK25, rest assured you can apply them to this product as well. The MPK Mini is literally a combination of the LPD8 and LPK25; nothing less and nothing more. Which is a great thing if you've been considering both!
This is my first MPC product but I am an experienced keyboardist. The Pads are pretty nice. I enjoy how they light up when you hit them. Like others said regarding the LPD8, they aren't as sensitive as some might prefer, and I'm inclined to agree. It tends not to register some of might lighter hits, so I'm having to get used to how hard I have to hit it. No big deal. It's also nice to have the knobs. They aren't as nice as professional grade knobs, but they work nicely for such a compact unit. The keyboard has mini keys and they are very sturdy. Some complain that it feels like a toy keyboard. Of course it does, they are mini keys! The keys are fine for their purpose of capturing ideas. I do not consider them performance worthy.
For those comparing this to other 25 key midi controllers, please know what you are comparing. There's a reason this is $100. It's simply a combination of two other products. Don't complain about the lack of pitch/mod wheels. The purpose of this product is portability and to allow you to capture ideas when you don't feel like lugging around larger equipment. For these reasons, I find it to be an excellent product.
Definitely pick this product up if you're looking for something extremely portable with acceptable mini keys and very playable MPC pads.

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2/16/2012

Korg nanoKEY 25 Key USB Controller Keyboard, White Review

Korg nanoKEY 25 Key USB Controller Keyboard, White
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The Korg Nano Series is, quite simply, among the most useful sets of tools ever produced for the COMPUTER... Let me say that word again: "COMPUTER."
I write, arrange and orchestrate music for a living. The nanoKey, in particular, is a lifesaver! It's portable, so I can stuff it into my laptop bag when I'm on the road. It works seamlessly with Finale, Encore and - my personal favorite - Sibelius (the "Big 3" of notation programs). It isn't as convenient for real-time sequencing, unless you've developed "the touch." It took me a while to get used to that, but I do play scratch tracks in Logic and Sonar, on occasion.
Anyone considering the purchase of this device should realize up front that it isn't really designed for stage performance, etc. It's best suited for computer entry. In fact, it's PERFECTLY suited for computer entry.
...and for fifty bucks it's WAY ahead of anything else!

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The nanoKEY is an ultra-compact keyboard controller, featuring a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key on this USB-MIDI controller can also be set to send MIDI control data, further expanding its power.


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1/25/2012

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch Review

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch
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Not only does it controls IPhone synths (Akai, NanoStudio and more to come I hear) but it also controls my IPad via the camera connection kit. I LOVE THIS THING! I was not only able to create some very cool sounds in minutes with the Akai app but also got it layered with the IPAD Korg IMS-20 with some pretty wickedly insane results.
My only gripe so far is with the Iphone app (Akai) some of the buttons on the touch screen are to small and at times unresponsive. Nlog will support the controller soon so that is another great iphone synth that should be fun to play with. I will try Nanostudio and Korg Electribe as well and update the review.

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1/22/2012

Alesis Q25 Review

Alesis Q25
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I wanted a small USB midi keyboard that I could hook up to an iPad (via the camera connector kit) and control apps like GarageBand and various other software synths. The Q25 worked perfectly - it is powered via the USB bus and connects without a hitch to the iPad. The keys are full-sized, and although the action isn't anything special they play smoothly and the velocity sensing is solid. Nice surprise to see that the keyboard has a sustain pedal port as well. Build quality seems solid. Overall, this met all of my expectations.

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1/15/2012

Korg MICROPIANORD 61-Key Portable Keyboard Review

Korg MICROPIANORD 61-Key Portable Keyboard
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Korg uses their mini-keys for this, and at first glance you'd think that would lump it into the "toy" category. Not so. I'm a classically trained pianist and I can honestly say -- this is the first mini-key controller that I felt I could actually play expressively. The piano sounds are exceptional. I played with it at NAMM and was blown away. I think Korg has done an exceptional job at making these things musically useful. Granted it is not a full-featured controller. But look over the feature set, and if it's got what you need, rest assured that it's actually a pleasure to play. A+

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12/18/2011

Studiologic Numa Piano Review

Studiologic Numa Piano
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I've been a professional gigging musician for many years and the Numa Piano is exactly what I've been looking for. The action is outstanding, the internal sounds are all excellent. Unlike even some 'very high end' keyboards that I've owned, the Grand Piano sounds great by itself AND in the mix. Creating splits & layers on the fly is so simple that it's almost not even necessary to store setups in memory. Even controlling external modules with it is a breeze. If you're looking for a lightweight piano with a great action and a handfull of meat-and-potatoes sounds (Piano/Electric Piano/Clav/Strings/Organ) at a price that won't break the bank. Check it out!

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11/30/2011

Korg nanoKEY 25 Key USB Controller Keyboard, Black Review

Korg nanoKEY 25 Key USB Controller Keyboard, Black
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The Korg Nano Series is, quite simply, among the most useful sets of tools ever produced for the COMPUTER... Let me say that word again: "COMPUTER."
I write, arrange and orchestrate music for a living. The nanoKey, in particular, is a lifesaver! It's portable, so I can stuff it into my laptop bag when I'm on the road. It works seamlessly with Finale, Encore and - my personal favorite - Sibelius (the "Big 3" of notation programs). It isn't as convenient for real-time sequencing, unless you've developed "the touch." It took me a while to get used to that, but I do play scratch tracks in Logic and Sonar, on occasion.
Anyone considering the purchase of this device should realize up front that it isn't really designed for stage performance, etc. It's best suited for computer entry. In fact, it's PERFECTLY suited for computer entry.
...and for fifty bucks it's WAY ahead of anything else!

Click Here to see more reviews about: Korg nanoKEY 25 Key USB Controller Keyboard, Black


The nanoKEY is an ultra-compact keyboard controller, featuring a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key on this USB-MIDI controller can also be set to send MIDI control data, further expanding its power.

The Korg nanoSERIES The Korg nanoSERIES provide a keyboard controller, a pad controller, and a studio controller with dedicated transport controls. Each of these USB-powered, slim-line controllers is designed to make the most of your valuable studio space, and is small enough to take with you on any musical journey. Place one of our keyboard controllers in front of your laptop, rest a pad controller on your music workstation, park a studio controller on your recording console--or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Although small in size, all three nanoSERIES controllers go huge when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.

nanoKEY--A Flexible MIDI Keyboard Controller That's Smaller Than a Laptop KeyboardWhen Korg set out to build a slim-line MIDI controller keyboard, they utilized their years of experience in manufacturing innovative MIDI keyboards to create a great-feeling, velocity sensitive keyboard based off a laptop keyboard. The resulting 25-note keyboard on the nanoKEY will transmit your playing dynamics to your software accurately and expressively. In CC (Control Change) MODE, the keys become MIDI controllers, allowing you to control any MIDI assignable parameters within your software.

The Octave Shift function offers immediate access to the entire MIDI note range. Pitch and modulation buttons are also provided, giving your performances the kind of expression that you would expect from any controller regardless of its size.

What's in the BoxKorg nanoKEY, USB cable, and Owner's Manual.


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11/25/2011

M-Audio Prokeys Sono 88 Review

M-Audio Prokeys Sono 88
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I bought it for my wife,alas it didn't work.I suppose, because it was packed not enough secure and also it has very light weight and therefore fragile.I 've sent it back and had my money back but not the shipment money

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10/22/2011

M-Audio Keystation 88ES Midi Controller Review

M-Audio Keystation 88ES Midi Controller
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I'm an amateur musician, and I always wanted a big keyboard, something close enough to a piano, but the big keyboards were always so expensive. In top of that, they always come with lots of knobs and features that I never wanted to learn or try. I just wanted a piano-like keyboard to play.
When I saw this keyboard for first time, I loved its 'minimalistic' style: no knobs, no screens, no buttons. Just the 88 keys and the minimum necessary controllers (3 buttons, 2 wheels and 1 slider), all in a beautiful and solid silver case. When I checked its price, I suspected maybe its quality was poor, but I had good references for the M-audio brand. So I decided to give it a chance and I'm still very proud of my purchase: just plugged it into the usb port of my PC and it was inmediately recognized. I was using FL Studio, but right now I'm trying Sonar and it works flawlessly. The keys offer some resistance to pressure, so it almost feel like piano keys.
If you're interested on this keyboard, I strongly recommend it. But if you don't to know that much of keyboards (and you don't want to, anyway), you have to know this keyboard is not a exactly a toy, nor is the kind that comes with lots of sounds and rythms. It is a controller, which means you have to use some kind of software or synth device for it to produce any sound. If you know exactly what you're buying, I don't think you will ever regret of buying this keyboard. It's great!

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If you appreciate the full range of a piano keyboard in a lightweight package, the 88-note Keystation 88es is for you. You get great-feeling, semi-weighted action that's velocity-sensitive, to convey all the nuances of your playing to your computer and most popular music education and studio software. The pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming synths, samplers, drum sounds and more. At just 22 lbs., the Keystation 88es is equally at home on stage and in the studio. Class compliancy with Windows XP, Vista (32 bit), and Mac OS X ensures easy plug-and-play setup. It's even bus-powered, so one simple USB cable is the only connection you need.


88-Key Semi-Weighted USB MIDI Controller

88-note velocity-sensitive, semi-weighted action 88 keys means no constant hitting of an octave switch, an annoyance with smaller controllers. The semi-weighted action gives you a piano feel, and since it's velocity sensitive, your dynamic playing is accurately sent as data.
Pitch bend and modulation wheels These are ideal for controlling synths, samplers, etc.
Volume/assignable control slider Easily assign the control slider to different parameters of sound modules or software, for further control over your sound.
Advanced function button for programming When the Advanced Functions button is pressed, the keyboard goes into "Edit Mode." In Edit Mode, the keys on the keyboard are used for selecting functions and entering data. Black keys are used for selecting functions, while the white keys are used for data entry and channel selection.
Sustain pedal input (pedal sold separately) Add a sustain pedal, such as the M-Audio SP-1, for piano-like pedal control of your notes' duration.
Built-in USB MIDI interface Easily interface with most MIDI software using the built-in USB MIDI interface. The standard MIDI "out" jack routes MIDI signals from the keyboard or computer to your external devices.
USB Powered The 88es grabs power from the USB port on your computer. You can also purchase a 9VDC power adapter.
Mac OS X and Windows XP class compliant Enjoy plug-and-play operation with both Mac OS X and Windows XP. Ableton Live Lite music production software is included, so you can make music right away on either platform.
What's in the Box M-Audio Keystation 88es USB Keyboard, USB Cable, User's Manual

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10/02/2011

M-Audio ProKeys Premium Stage Piano Review

M-Audio ProKeys Premium Stage Piano
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The Piano sound is truly the best sound you can find for even under $1000, and this is only $500.
Thats the good news.
The other sounds are ok, the organ sounds being the worst, and the electric piano being the best non-piano sounds. The worst part (and the reason i wouldnt buy it again) is the touch. If you plan on just pounding out chords, itll be fine, but if you play classical, jazz, or even most pop-styles that require a bit of touch, you will hate this piano. They say it is "Hammer-Action" but really they should be called "way-over-weighted". These are the heaviest keys i have ever played, and I wish i would have played it before i bought it online.

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The ProKeys 88 is the premium digital stage piano that doubles as a great MIDI controller. It's loaded with large, realistic samples 14 world-class instruments in all, including split/layer capabilities. We paired those great sounds with an 88-key hammer-action keyboard, delivering a realistic feel to satisfy the most demanding pro. The ProKeys 88 is also a great master controller keyboard, including a built-in USB MIDI interface for easy direct connection to your PC or Mac, MIDI In and Out jacks to communicate with other MIDI gear, pitch and modulation wheels, sequencer controls and more. ProKeys 88 pulls out all the stops in creating the ultimate playing experience in an affordable digital stage piano.


Ultra-Realistic Piano Our goal in designing the ProKeys 88 was to create an extremely musical and realistic piano experience. The caliber of a digital piano is greatly influenced by the quality and the size of the samples, so we started by giving the ProKeys 88 a generous amount of memory. Then, rather than dividing it up amongst a bunch of sounds you're not likely to use, we focused on the 14 sounds that are the bread and butter for many keyboardists--paying special attention to the stereo grand piano.

More Than a Stage Piano The ProKeys 88 delivers all the staple keyboard sounds needed by many musicians. Its flagship stereo grand is supplemented by an alternate grand designed to really cut through in popular music. The ProKeys 88 has electric pianos covered too. And the Clavinet brings one word to mind: "funky." Acoustic and electric basses give you the option of layering a ride cymbal for jazz tunes. Vibes, ensemble strings and an inspiring warm, lush synth pad round out a great sonic palette for the gigging keyboardist.
88-Key Hammer Action Of course, a realistic digital stage piano must have a full 88 keys that are properly weighted. The ProKeys 88's full-range clavier features hammer action that feels just like the real thing. It features three velocity curves tailored to different touches, as well as a fixed velocity for synth work.
Splits and Layers The ProKeys 88 keyboard also features split and layer capabilities. Put a bass in your left hand and keys in your right. Chord with an organ while playing a piano lead. Layer lush strings over a piano. You can even have a split and layer simultaneously for a total of three sounds at once.
Control Your DAW When it comes to communicating with the outside world, most digital stage pianos offer little more than a MIDI jack. In sharp contrast, the ProKeys 88 inherits much from M-Audio's years of experience pioneering mobile MIDI controllers. It incorporates a full USB MIDI interface that communicates with your PC or Mac via a single, simple USB connection--perfect for recording with virtually all MIDI sequencer software on the market. (The instrument features class compliancy with Windows XP and Mac OS X without installation of additional drivers.) You can even control your sequencer remotely via front-panel Start, Stop and Tempo buttons.
MIDI In and Out jacks allow full communication with all standard MIDI gear as well. The ProKeys 88 also features performance controls that are rare on digital stage pianos, including pitch wheel, modulation wheel, two footswitch inputs, and expression pedal input. The three different ranges available via the ProKeys 88's combined split and layer functions can each transmit on a separate MIDI channel as well. You also get dedicated front-panel buttons for program change, channel, bank MSB, bank LSB and local on/off.
Built-in Effects There's no need to mess around with additional gear to add basic effects to your ProKeys 88. On-board EQ lets you easily tweak the tone on the fly. You also get three different built-in reverb spaces that simulate different acoustic environments. Chorus fattens up sounds like the electric pianos and basses. And what's a vintage Wurlitzer electric piano without tremolo? Experiment with different effects on the ProKeys 88 to create signature sounds of your own.
Full Pedal Complement Every digital piano has a sustain pedal jack. But what about the sostenuto pedal (the middle pedal on an acoustic piano)? ProKeys 88 has it. There's also an expression pedal for foot-control of volume. And all three of these pedals serve as MIDI controllers for outboard gear as well.
Headphones and Pro Audio Outputs Ever need to practice privately? ProKeys 88 includes a 1/4-inch stereo headphone jack so you can play without anyone else hearing you--at home or at a sound check. Of course, it wouldn't be an M-Audio product without high-fidelity 1/4-inch unbalanced audio output with specs like 20Hz-20kHz frequency response and 108dB dynamic range.
What's in the Box ProKeys 88, Software Driver CD (drivers and applications), USB cable, Printed User Manual, Power supply (12V DC), Sustain Pedal

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