Showing posts with label computer audio. Show all posts
Showing posts with label computer audio. Show all posts

4/13/2012

Apple Logic Studio Review

Apple Logic Studio
Average Reviews:

(More customer reviews)
So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

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Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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2/06/2012

Behringer MS16 Powered Studio Desktop Monitors Review

Behringer MS16 Powered Studio Desktop Monitors
Average Reviews:

(More customer reviews)
SUBJECTIVE REVIEW: Behringer MS16 2-Way Active Personal Monitor System
Pros:
- Accuracy, soundstage & imaging!!
- Connectivity & Front Panel Controls (Right CH Speaker):
.... INPUT 1 (1/8" TRS) Connector
.... INPUT 2 (RCA Right & Left) Connectors
.... ADJUSTABLE 1/4" TRS Microphone Input - mixable w/stereo inputs for playback and vocal monitoring applications
.... 1/8" TRS HEADPHONE Connector w/auto-mute loudspeaker function.
.... FRONT PANEL Controls (Bass, Treble & Level)
Cons:
None except deep bass - which can be resolved by adding a powered-sub like I did!!! ;-)
NOTE: All subjective comments based on:
1) SPEAKER LOCATIONS:
.... a) Free-standing near-field monitor location, 4' apart, slightly tilted-in (closes walls 10') - Music by my Polaroid 30 GB MP3 player (NO powered-sub )
.... b) Keyboard: L & R location installation, slightly tilted-in (with & without Altec Lansing FX2021 powered-sub**)
**NOTE: Adding a powered-sub relieves the Behringer MS16 4" woofer speakers of reproducing the lower frequencies thus lowering the possibility of distortion or breakup when played louder, - 85 dBc to 90 dBc Fast SPL Peaks!
2) Critical listening SPL = approx. 85 dBc to 90 dBc Fast SPL Peaks measured @ 8' to 10' away from the speakers.
.... a) Radio Shack SPL Analog Meter: Dial = 80 or 90 / Weight = C / Speed = Fast
ACCURACY:
One of the Behringer MS16 hallmarks is the accuracy in reproducing encoded musical sounds from my MP3s, ... like, a violin sounds like a violin, a trumpet sounds like a trumpet, a tenor sax sounds like a tenor sax, a Grand Piano, like the Grand Piano that Diana Krall uses in her "Live in Paris" CD (I use to own a 6' Yamaha Grand in my HT/family room), etc. What is unusual for this price range, is the MS16 ability to reveal subtleties and the resolution of the high frequency characteristics within the encoded music/instruments, . . . they are just more evident with the Behringer MS16 vs. other speakers in this price and some costing more; i.e. with close mike recording of an acoustic guitar, you can hear the artist fingers (George Benson; Earl Klugh; Russ Freeman) sliding up and down the frets; you can tell that that two violins are playing a melodic line, rather than just one violin; the air harmonics off the crash or ride cymbal sounds, just like our Tama Rock Set w/Zildjian cymbals; Diana Krall breathing during some of her songs Intro ("Live in Paris" Music CD). Here - I do chalk up the sound quality to Behringer MS16 1.5" (38mm) Diameter High-Resolution Tweeter., which is a nice size for a small personal Studio near-field Monitors.
SOUNDSTAGE:
The left to right placements of instruments & voices are excellent, providing a precise, very wide, beyond the speakers soundstage. The Behringer MS16 front to back (depth) soundstage is also excellent, as well as the dynamic's resolution (soft vs. loud) in playing back the encoded instrument sounds which helps provide excellent location placement of the instruments. Though the front to back soundstage can be a result of how close the microphones were to the instruments, no doubt, the quality of the best recordings, will be revealed by this speaker and the opposite is also true, poor recordings will be revealed as poor. The Behringer MS16 plays back all my Jazz CD Music with relative smoothness, with no surprising in-between the eyes, unnatural frequency peaks because of it's super flat & wide Pro Monitor like frequency characteristics. I also own the JBL N24 w/4" woofers (JBL NSP1 PKG) which was raved by Brent Butterworth for its super midrange playback (voices) and in direct comparison, the Behringer MS16 is equal to task providing the same balanced, natural, clear unstrained playback! (Samples: "Francis Albert Sinatra & Antonio Carlos Jobim" 1967 Digital remastered DDD Music CD; Diana Krall "Love Scenes" & "The Look of Love" Music CD; Bob James "Fourplay" Music CD; David Benoit "Fuzzy Logic" Music CD [Album Of The Year - 2003 National Smooth Jazz Awards], etc.).
IMAGING:
Another characteristic that the Behringer MS16 displays is its ability to image the specific instruments across the soundstage, with a floating in front, side, quality sound presence comparable to some JBL PRO Studio Monitors, though its point source is more precise due to the smaller cabinet side. The Behringer MS16 low-diffraction front cabinet geometry feature curved cabinet edges to eliminate diffraction, which ensures precise imaging and localization. I love the Behringer MS16 ambience reproduction in my room, because it gave me the feeling that "you are there" and if the recording is from a live concert, the ambience provided the right amount of reflections to make you think your listening to the performance outdoors, or in the symphony hall. ("The Corrs - Live at the Royal Albert Hall" Music CD; Diana Krall "Live in Paris" Music CD).
BASS FREQUECY:
WITHOUT POWERED-SUB: (Bass adjusted slightly less than MAX @ the 5 o'clock position / Treble left flat)
The Behringer MS16 bass is rated down to 80 Hz, and after adjusting the Bass Control to near MAX (5 o'clock position), ... it easily matches my JBL 24s (Benchmarked down to 89 Hz -2.7 dB - Fronts location by Tom Nousaine for Sound & Vision Magazine) lowest rated frequency reproduction in my familiar jazz music (David Benoit, Bob James, Joe Sample, Diana Krall, etc.) MP3 encoded music is not as demanding as a keyboard or CD (pure digital recordings), so what I hear was more than acceptable @ 85 dBc Fast SPL Peaks! (louder than normal listening). The deep bass is lacking of course, which is expected for a 4" DIA woofer, but it wasn't MIA and actually sounded better than most free-standing speakers w/4" or 5" woofers. The upright bass (Diana Krall) and electric bass lines (Bob James "Fourplay" w/Nathan East on bass) reproduction was way above average and overall, ... it nicely filled my 20 x 30' room with well balanced, clean & smooth frequency jazz music.
WITH POWERED-SUB - YAMAHA PORTABLE GRAND KEYBOARD:
Reproducing a digital keyboard is demanding so to get that floor & air feeling bass SPL without distortion or breakup, I coupled the Behringer MS16 Speakers w/the Altec Lansing FX1021 2.1 Speaker System, or more specifically, Altec Lansing FX4021 Powered Subwoofer (w/Two 5.25" long-throw woofers in isobaric configuration). This unit is rated down to 32 Hz and takes care of the lower frequency duties. Matching the Altec Powered-sub to the MS16s took about 20 mins. using the Keyboard built-in MIDI DEMO files and by playing it personally! I'm finally happy with what I hear from my Yamaha DGX-505 88-key Portable Grand.
THE BOTTOM LINE:
If you want "budget" monitors that provides excellent imaging, revealing resolution, super flat & wide Pro Monitor like frequency characteristics, the Behringer MS16 is for you! At no time during my critical listening phase (w/85 dBc - 90 dBc Fast SPL Peaks) did I hear any distortion or breakup (with or without powered-sub) from my Behringer MS16 speakers!!!
- Although the following is an OPTION & NOT REQUIRED to ENJOY these powered speakers, you can add a powered-sub to round out the lower frequency foundation and once you balance the SPL between the powered-sub & MS16s, ... you've got a very nice killer setup for MP3, PC, Laptop, Keyboard & near-field Home Studio application @ a very reasonable price!
In my case, I'm guessing, that the Behringer & Altec powered-sub combination for my Yamaha Portable Grand Keyboard frequency response is approx. 40Hz - 18kHz ±5 dB in my 17' x 13' living room (see my attached Amazon photo's) and for the price, ... it just sounds GLORIOUS @ 85 dBc - 90 dBc Fast SPL Peaks!!!
Highly Recommended!!! (Another way to think about it is, ... you can't build a 16 Watt [2x 8 Watts] self-powered speakers like this for under $60 a pair!!!)
Background: Audiophile since 1980; retired Audio/Video dealer; retired semi-pro musician (piano, keyboard, acoustic / electric guitar, bass guitar & drums).

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